SFEVE | Becoming Animal with the Victorians | Paris | 4-5 fév. 2016
SFEVE Annual Conference : “Becoming Animal with the Victorians”
Université Paris Diderot, Thursday 4 – Friday 5 February 2016
Amphithéâtre Turing, Bâtiment Sophie-Germain, Université Paris Diderot
8 place Aurélie Nemours, 75013 Paris
Thursday 4 February
Moral codes, ethics and didacticism (workshop 1)
Chair: Sara Thornton, Université Paris Diderot
- Dominic Rainsford (Aarhus University, Denmark): ‘Squirrel’s Heartbeat: Moral Quantification in Victorian Literature and Philosophy’
- Sally Blackburn (Liverpool University): ‘Vernon Lee and Vivisection: A Mutilation of Morality’
- Emilia Quinn (Oxford University): ‘The Monstrous Vegan: Historicising Veganism in Mary Shelley’s Frankenstein’
Hybridity and mongrelisation (workshop 2)
Chair: George Letissier, Université de Nantes
- Béatrice Laurent (Université des Antilles): ‘Missing Link or ‘Mongrel’? the Mermaid and the Victorian Imagination’
- Silvia Granata (University of Pavia, Italy): ‘“At once pet, ornament, and subject for dissection”: The unstable status of marine animals in Victorian aquaria’
- Anne Kerchy (University of Szeged, Hungary): ‘Alice’s Animal Alterities and Ethics’
Canine Subjectivities and standpoints (workshop 3)
Chair: Nathalie Saudo-Welby, Université de Picardie
- Georges Letissier (Université de Nantes): ‘From Dog Alterity to Canine Sublime: A Cross-Century Reading of Victorian Fiction’
- Pauline Macadré (Université Paris-Sorbonne): ‘“Solving the problem of reality” in Virginia Woolf’s Flush’
- Peter Merchant (Canterbury Christ Church University): ‘Rescued by Rover: Terriers, Tenacity, and Thomas Anstey Guthrie’
- Melissa Dickson (St Anne’s College, Oxford University): ‘The Dog’s Bach and the Victorian Animal’s Love of Music’
Keynote speaker
Chair : Laurence Roussillon-Constanty, Université de Pau
- Beryl Gray (Birkbeck College and Independent scholar): ‘In the Eyes of the Beholder: depicting the dog in the long nineteenth century’
Friday 5 February
Keynote speaker
Chair: Fabienne Moine, Université Paris Ouest, Nanterre
- Hilda Kean (Fellow of the Royal Historical Society. Visiting Professor at Greenwich University): ‘Aspects of the changing feline – human relationship in Victorian Britain’
Animal spectacle and décor (workshop 4) (Turing)
Chair: Nicholas Daly , University College Dublin
- Sune Borkfelt (Aarhus University, Denmark): ‘“Disgusting Spectacle”: Victorian Cattle Markets, Abattoirs and the Marginalization of Animals’
- Barbara Lasic (University of Buckingham): ‘Crafty Tales: Aesop’s Fables and the Late Nineteenth-Century British Interior’
(2 parallel sessions):
Humanimality and the grotesque (workshop 5) (Room 014)
Chair: John Miller, Sheffield University
- Michael Hollington (University of Kent, Canterbury): ‘Corvidae in Dickens’
- Amber Regis (Sheffield University): ‘On not becoming human: Victorian animal life-writing and the problem with poodles’
- Hubert Malfray (Lycée C. Fauriel, St Etienne): ‘Freak shows on the page: The animalization of criminality in Newgate Fiction’
Humanimality and monstrosity (workshop 6) (Turing)
Chair: Estelle Murail, Université Paris Diderot
- Neil Davie (Université Lyon 2): ‘“An unbidden guest at your table”: Purity, danger and the house-fly in the middle-class home, c. 1880-1910’
- Richard Somerset (Université de Lorraine): ‘From monsters to animals: palaeontological popularisers and the ideology of historical process’
- Briony Wickes (King’s College, London) : ‘Riding on the Sheep’s Back: Settler Colonisation and the Sheep-Shepherd Relationship in Victorian Fiction’.
(2 parallel sessions):
Evolution, regression and progress (workshop 7) (Room 014)
Chair: Hubert Malfray, Sorbonne Paris 4 and Saint Etienne
- Rose Roberto (University of Reading): ‘Counting Animals and Visualising Natural History in Chambers’s Encyclopaedias’
- Nathalie Saudo-Welby (Université de Picardie): ‘The rhetorical uses of female animals in novels by Mona Caird, Sarah Grand and George Paston’
Chair: Béatrice Laurent, Université des Antilles
- Ben Moore (Cardiff University): ‘Becoming Evolutionary?: Alton Locke’s Dream’
- John Miller (University of Sheffield): ‘James Thomson’s Abyssal Creatures’
Fashion and ornament (workshop 8) (Turing)
Chair: Clémence Folléa, Université Paris Diderot
- Róisín Quinn-Lautrefin (Université Paris Diderot): ‘“An exquisitely perfect and beautiful skeleton”: salvaging animal waste in Victorian domestic handicraft’
- Arianne Fennetaux (Université Paris Diderot): ‘Retro-futuristic Animal Chic: Alexander McQueen’s Victorian Cabinet of Curiosities’
Chair: Ariane Fennetaux, Université Paris Diderot
- Julia Courtney (Independent scholar): ‘Animal Objects: Memory, Desire and Mourning’
- Nicholas Daly (University College Dublin): ‘Fur and Feather Fashion at the Fin de Siècle’
- Sarah Laurenson (Edinburgh University): ‘Fashioning the wild: animal parts and products in Scottish jewellery of the Victorian era’
OpenEdition vous propose de citer ce billet de la manière suivante :
Honorine Tellier (1 février 2016). SFEVE | Becoming Animal with the Victorians | Paris | 4-5 fév. 2016. Animots. Consulté le 25 janvier 2025 à l’adresse https://doi.org/10.58079/b6dq